dialogues

Christine Rebet 

Special presentation of four films

The Fall (2025)
Otolite (2021)
Thunderbird (2018)
Breathe In, Breathe Out (2021)
Screenings: 7:00 pm and 8:00 pm / Free admission

Friday, May 30th, 2025 
info:
info@fundacionopcit.org
Cineteca Rosalío Solano,  16 de septiembre #44 Pte. Centro Histórico, Querétaro, Qro.       

A project in collaboration with the Museum of the City of Querétaro and the Cineteca Rosalío Solano. 

Other ways to orienting ourselves

 

N'giba palm weaving Workshop
Saturday March 22nd, 2025, 11am-12:30 pm
Registration + info:  info@fundacionopcit.org
Museo Regional Mixtecto-Tlayúa, Tepexi de Rodríguez, Puebla, 11560, Mx

 

A dialogue with the Brahea palm, inhabitant of the fossiliferous territory of the Mixteca poblana, a workshop guided by Chasen Thajni where we will teach the weaving of petate de cruz of N'giba tradition to guide the linguistic and geological memory of the site with the communities that inhabit it and have inhabited it since ancient times. In collaboration with Ulises Matamoros and the artisans of Santa Inés Ahuatempan and Tepexi de Rodríguez.  

584

Una obra sonora en vivo que consiste en grabaciones de campo, fantasmas de audio ultrasónicos y voces alteradas. / A live sound work consisting of field recordings, ultrasonic audio ghosts, and altered voices.

SER HUELLA

‘Ser huella’ is a dialogue with the paleontological site of Pie de Vaca, a workshop guided by Bárbara Foulkes for the community of Tepexi de Rodríguez, Puebla (MX).

Saturday December 14th, 2024, 10:30am to 12pm

Pie de Vaca Paleontological Site, Tepexi de Rodríguez, Puebla (MX)

Registration and more information: info@fundacionopcit.org

A project of material●◦inmaterial for the Mixteco-Tlayúa Regional Museum, an activity from the project Fosilífera directed by Lorena Mal with the support of Fundación Jumex Arte Contemporáneo, EFIARTES, Sistema Nacional de Creación and fundación/op.cit. In alliance with the Geology Institute of the National Autonomous University of Mexico (UNAM) and Pescadores de la Prehistoria [Fishermen of prehistory]. 

PAROLE

Parole (2024) by Lázaro J. González, and dialogue “Alternatives for the dissemination of Cuban culture” with Celia González (visual artist and anthropologist), Mijail Rodríguez (screenwriter and cultural manager), Carlos Aníbal Alonso (writer and editorial director of Rialta). Moderation: Omar Lara (Disruptiva Films).

September 19th, 2024, 5pm
op.cit. dialogues: colonia del Valle, Mexico City
for more information: info@fundacionopcit.org

First Edition: New Coordinates of Cuban Cinema.
Exhibition of young Cuban cinema in Mexico City

In the midst of multiple economic and social challenges, the yearning of a Cuban queer refugee for
reuniting him with his mother depends on the fragile hope of humanitarian parole created by the Biden administration. 

The idea of this exhibition is to focus on the borders and margins that politically, geographically and aesthetically delimit national cinema, taking up Juan Antonio García Borrero's concept of the “audiovisual body of the Cuban nation” to broaden our view of young Cuban production and its perspectives in the current context.

ARCHIPIÉLAGO FÍLMICO

Parole (2024) by Lázaro J. González, and dialogue “Alternatives for the dissemination of Cuban culture” with Celia González (visual artist and anthropologist), Mijail Rodríguez (screenwriter and cultural manager), Carlos Aníbal Alonso (writer and editorial director of Rialta). Moderation: Omar Lara (Disruptiva Films).

September 19th, 2024, 5pm
op.cit. dialogues: colonia del Valle, Mexico City
for more information: info@fundacionopcit.org

As part of the work of the Assembly of Cuban Filmmakers, the initiative Archipiélago Fílmico: Nuevas Coordenadas del Cine Cubano (Film Archipelago: New Coordinates of Cuban Cinema), an audiovisual exhibition of young independent Cuban cinema, will take place in September in Mexico City. 

 

Archipiélago Fìlmico was born from the collaborative and independent effort of the Assembly of Cuban Filmmakers, the Ilé mi-canoa platform, the Cineclub Micelio and the Cineclub Revolución Congelada of the ENAC, with the support of the National School of Cinematographic Arts of the UNAM.

 

 

https://www.archipielagofilmico.com

 

HISTORY AS HYPNOSIS

Screening of History as Hypnosis (2023) and conversation with the artist Alison Nguyen.

February 11th, 2024, 5pm and 8pm
Cineteca Rosalio Solano
Queretaro City, MX

Director & Writer: Alison Nguyen
Executive Producers: Mustafa Rony Zeno & D.S. Chun
Production Company: Rug and Vase
Director of Photography: Sebastian Mylnarski
Additional Photography: Mustafa Rony Zeno
Editor: Alison Nguyen
Production Designer: Heather Yancey
Sound Designer: Jon Flores
Score: Scott Kiernan
Hair and Makeup: Caroline
Mills and Jeong-Hwa Fonkalsrud
Wardrobe Designer: Alison Nguyen

history as hypnosis is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature through the Media Arts Assistance Fund a regrant partnership of NYSCA and Wave Farm.

 

New York Foundation for the Arts 2021 Artist Fellowship in Film/Video

 

MIT List Visual Arts Center

HISTORY AS HYPNOSIS

sesión de escucha de History as Hypnosis (2023) de Alison Nguyen con Scott Kiernan, Jon Flores, A.M. DeVito e Ivan Berko


February 4th, 2024, 5-7pm
Radio Nopal
C. Jose Rosas Moreno 123,
San Rafael, CDMX


A speculative road movie that unfolds through cultural memory of the US war in Vietnam, it follows three women, recently reprogrammed by an artificial intelligence that has wiped all traces of their previous lives, as they journey through an uncanny desert landscape to a nearby metropolis. In Nguyen’s hands, these figures without memory or history become a cinematic use case for themes of alienation, assimilation, and refusal. Freely combining genre, fact, and fiction, the film draws on its Southern California locations’ postmodern glass facades, mimetic architecture, and roadside infrastructure—markers of car culture’s entanglement with American expansionism and cinema history alike—to uncover the more ineffable links between collective consciousness and the Cold War military-industrial complex.

AN INCOMPLETE RECIPE

A dialogue from the kitchen, where migrant ingredients are the center of the conversation. An Incomplete Recipe is a documentary essay project of Laura Batista Aranda that takes its own film structure and self-referential elements to cook together. 

October 7th, 2023, 10:30hrs
op.cit. dialogues: colonia del Valle, Mexico City


for more information: info@fundacionopcit.org

TERCERO OCULTO / HIDDEN THIRD

guided tour of Kelly Kleinschrodt's Hidden Third exhibition with Natilee Harren, art historian, critic, and associate professor of art history at the University of Houston School of Art.

September 22nd, 2023, 18:30hrs
op.cit. dialogues: colonia del Valle, Mexico City
for more information: info@fundacionopcit.org

 

https://press.uchicago.edu/ucp/books/author/H/N/au46107018.html

CAMILLE & ULYSSE

screening of the film Camille & Ulysse (2021) by Diana Toucedo, and dialogue with Diana Toucedo and Mónica Nepote.

August 12th, 2023, 7pm
op.cit. dialogues: colonia del Valle, Mexico City
for more information: info@fundacionopcit.org

Philosophers Vinciane Despret and Donna Haraway weave their voices together in this audiovisual piece by filmmaker Diana Toucedo, based on the fables: Haraway's The Camille Stories and Despret's Autobiography of an Octopus. In an indefinite future, Camille and Ulysse tell the intertwined stories of the first generation of their communities of humans and non-humans: the composting communities. Camille symbolically associates herself with the monarch butterflies, whose migratory routes and habitats in the United States, Mexico and Canada are threatened. Ulysses, like all Ulysses in the community, experiences the possibility of living in the presence of the extinct octopuses by learning the unique gestures, language and forms of sensitivity of these marine animals.

Filmed with the structure of an oral history and as a correspondence between the two authors and their stories, the film follows the ways of living and dying of the communities of a damaged planet and their growing mastery of a new field of scientific knowledge: therolinguistics, or the study of animal languages. The narrators, in harmony with their fellow symbiotes, become increasingly aware of the possibilities for growth of tentacular and metamorphic beings.

This encounter provoked by Spanish filmmaker Diana Toucedo contains a perspective attuned to the mysteries of the natural world, the blurred boundaries between what we know and what we sense, Toucedo joins Haraway and Despret in the construction of this narrative journey made of multiple intersecting lines, a game of strings where speculative fiction and experimental essay merge as symbionts.

http://dianatoucedo.com/projects/camilleulysse/

EL LÍMITE DE LO PROPIO

It is a project created by the artist Ulises Matamoros Ascención and curated by Michel Blancsubé, where 4 artists and a collective were invited to carry out 5 projects in the community of Santa Inés Ahuatempan, thus creating a dialogue between Ngiba knowledge and contemporary thoughts.

June 14th, 2023, 7pm
op.cit. dialogues: colonia del Valle, Mexico City
for more information: info@fundacionopcit.org

dialogue with:
Ulises Matamoros Ascención (artist and coordinator)
Michel Blancsubé (curator)
Lenka Holiková (artist)
Vano Sonoro (artists Emilio Hinojosa Carrión andJorge Solís Arenazas)

https://www.chasenthajni.org/

BROKEN EARTHS

Composed of 3 solo exhibitions, Tierras Rotas addresses the idea of faults, breaks and ruptures through affective, cartographic and socio-political explorations.


February 5th, 2023, 12hrs
op.cit. dialogues: colonia del Valle, Mexico City
for more information: info@fundacionopcit.org

dialogue with the artists and the curator
Hanae Utamura (JP)
Renata del Riego (MX)
Bel Falleiros (BR)
Elisa Gutiérrez Eriksen (MX)