{"id":29654,"date":"2025-12-01T12:12:42","date_gmt":"2025-12-01T12:12:42","guid":{"rendered":"http:\/\/fundacionopcit.org\/test\/?page_id=29654"},"modified":"2025-12-04T00:08:49","modified_gmt":"2025-12-04T00:08:49","slug":"dialogos","status":"publish","type":"page","link":"https:\/\/fundacionopcit.org\/en\/dialogos\/","title":{"rendered":"dialogues"},"content":{"rendered":"
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dialogues<\/i><\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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PIE DE IMPRENTA<\/span><\/h4>

Art Book Fair <\/strong><\/p>

Pie de imprenta is an art book fair whose third edition will bring together more than 60 independent publishers, museums, and artists, along with a program of talks, presentations, and parallel activities.\u00a0<\/p>

Find us together: op.cit.\/editorial , Editorial Alijuir y diSONARE\u00a0\u00a0<\/strong><\/p>

Saturday 6th of December 11AM - 7PM<\/strong><\/p>

Sunday 7th of December 11AM - 6PM<\/strong><\/p>

Museo Experimental del Eco\u00a0<\/strong><\/p>

Sullivan 43, San Rafael, CDMX\u00a0<\/strong> \u00a0 \u00a0<\/p>

Free admission<\/strong><\/p>

info: <\/strong>info@fundacionopcit.org<\/u>\u00a0\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u0627\u0644\u0623\u0641\u0642 \/ Horizonte \/ Horizon<\/span><\/h4>

Presentaci\u00f3n del proyecto de publicaci\u00f3n de Pablo Rasgado<\/strong><\/p>

Participan: <\/strong>Pablo Rasgado e Irmgard Emmelhainz<\/p>

Jueves 4 de Diciembre 2025,\u00a0 4 PM <\/strong><\/p>

FIL Guadalajara – Sal\u00f3n A \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/strong>\u00a0<\/strong> \u00a0 \u00a0<\/p>

Free admission<\/strong><\/p>


info: <\/strong>info@fundacionopcit.org<\/u>\u00a0\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u0627\u0644\u0623\u0641\u0642 \/ Horizonte \/ Horizon<\/span><\/h4>

Presentaci\u00f3n del proyecto de publicaci\u00f3n de Pablo Rasgado\u00a0<\/strong><\/p>

Viernes 21 de Noviembre 2025,\u00a0 7 PM<\/strong><\/p>

Casa Tomada \/ Pachuca 146-A, Condesa, CDMX\u00a0<\/strong> \u00a0 \u00a0<\/p>

Free admission<\/strong><\/p>

Participan: Pablo Rasgado y David Ayala-Alfonso<\/p>


info: <\/strong>info@fundacionopcit.org<\/u>\u00a0\u00a0<\/p>

Proyecto realizado con el apoyo del Sistema de Apoyos a la Creaci\u00f3n y Proyectos Culturales.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u0627\u0644\u0623\u0641\u0642 \/ Horizonte \/ Horizon<\/span><\/h4>

Presentaci\u00f3n del proyecto de publicaci\u00f3n de Pablo Rasgado\u00a0<\/strong><\/p>

Mi\u00e9rcoles 12 de Noviembre 2025,\u00a0 5 PM<\/strong><\/p>

Sala de conferencias MUAC\u00a0<\/strong> \u00a0 \u00a0<\/p>

Free admission<\/strong><\/p>

\u00a0<\/p>

Participan: Lorena Mal, Virginia Roy, Guillermo Garc\u00eda P\u00e9rez y Pablo Rasgado<\/p>


info: <\/strong>info@fundacionopcit.org<\/u>\u00a0\u00a0<\/p>

\u00a0<\/p>

Proyecto realizado con el apoyo del Sistema de Apoyos a la Creaci\u00f3n y Proyectos Culturales.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u0627\u0644\u0623\u0641\u0642 \/ Horizonte \/ Horizon<\/span><\/h4>

Presentaci\u00f3n del proyecto de publicaci\u00f3n de Pablo Rasgado<\/strong><\/p>

\u00a0<\/p>

Mi\u00e9rcoles 17 de Septiembre 2025, 6PM<\/p>

S\u00e1bado 20 de Septiembre 2025, 8PM<\/p>

Mi\u00e9rcoles 24 de Septiembre 2025, 7PM\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/p>

op.cit. Dialogues, Col. del Valle<\/b>\u00a0<\/p>

Free admission\u00a0<\/p>


info: <\/strong>info@fundacionopcit.org<\/u>
\u00a0\u00a0<\/p>

Proyecto realizado con el apoyo del Sistema de Apoyos a la Creaci\u00f3n y Proyectos Culturales.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Christine Rebet\u00a0<\/h4>

Special presentation of four films<\/strong><\/p>

The Fall<\/strong> (2025)
Otolite<\/strong> (2021)
Thunderbird<\/strong> (2018)
Breathe In, Breathe Out<\/strong> (2021)
Screenings: 7:00 pm and 8:00 pm\n\/ Free admission<\/p>

Friday, May 30th, 2025\u00a0
info: <\/strong>info@fundacionopcit.org<\/u>
Cineteca Rosal\u00edo Solano,\u00a0 <\/strong>16 de septiembre #44 Pte. Centro Hist\u00f3rico, Quer\u00e9taro, Qro.\u00a0 \u00a0 \u00a0 \u00a0<\/p>

A project in collaboration with the Museum of the City of Quer\u00e9taro and the Cineteca Rosal\u00edo Solano.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Other ways to orienting ourselves<\/h4>

\u00a0<\/p>

N'giba palm weaving Workshop<\/strong>
Saturday March 22nd, 2025, 11am-12:30 pm
Registration + info:\u00a0<\/strong>\u00a0info@fundacionopcit.org<\/u>
Museo Regional Mixtecto-Tlay\u00faa, Tepexi de Rodr\u00edguez, Puebla, 11560, Mx<\/p>

\u00a0<\/p>

A dialogue with the Brahea palm, inhabitant of the fossiliferous territory of the Mixteca poblana, a workshop guided by Chasen Thajni where we will teach the weaving of petate de cruz of N'giba tradition to guide the linguistic and geological memory of the site with the communities that inhabit it and have inhabited it since ancient times. In collaboration with Ulises Matamoros and the artisans of Santa In\u00e9s Ahuatempan and Tepexi de Rodr\u00edguez.\u00a0\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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584<\/h4>

Una obra sonora en vivo que consiste en grabaciones de campo, fantasmas de audio ultras\u00f3nicos y voces alteradas. \/ A live sound work consisting of field recordings, ultrasonic audio ghosts, and altered voices.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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SER HUELLA<\/h4>

\u2018Ser huella\u2019 is a dialogue with the paleontological site of Pie de Vaca, a workshop guided by B\u00e1rbara Foulkes for the community of Tepexi de Rodr\u00edguez, Puebla (MX).<\/p>

Saturday December 14th, 2024, 10:30am to 12pm<\/p>

Pie de Vaca Paleontological Site, Tepexi de Rodr\u00edguez, Puebla (MX)<\/p>

Registration and more information: info@fundacionopcit.org<\/p>

A project of\u00a0material<\/span>\u25cf\u25e6inmaterial for the Mixteco-Tlay\u00faa Regional Museum, an activity from the project Fosil\u00edfera directed by Lorena Mal with the support of Fundaci\u00f3n Jumex Arte Contempor\u00e1neo, EFIARTES, Sistema Nacional de Creaci\u00f3n and fundaci\u00f3n\/op.cit. In alliance with the Geology Institute of the National Autonomous University of Mexico (UNAM) and Pescadores de la Prehistoria [Fishermen of prehistory].\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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PAROLE<\/h4>

Parole (2024) by L\u00e1zaro J. Gonz\u00e1lez, and dialogue \u201cAlternatives for the dissemination of Cuban culture\u201d with Celia Gonz\u00e1lez (visual artist and anthropologist), Mijail Rodr\u00edguez (screenwriter and cultural manager), Carlos An\u00edbal Alonso (writer and editorial director of Rialta). Moderation: Omar Lara (Disruptiva Films).<\/p>

September 19th, 2024, 5pm
op.cit. dialogues: colonia del Valle, Mexico City
for more information: info@fundacionopcit.org<\/p>

First Edition: New Coordinates of Cuban Cinema.
Exhibition of young Cuban cinema in Mexico City<\/p>

In the midst of multiple economic and social challenges, the yearning of a Cuban queer refugee for
reuniting him with his mother depends on the fragile hope of humanitarian parole created by the Biden administration.\u00a0<\/p>

The idea of this exhibition is to focus on the borders and margins that politically, geographically and aesthetically delimit national cinema, taking up Juan Antonio Garc\u00eda Borrero's concept of the \u201caudiovisual body of the Cuban nation\u201d to broaden our view of young Cuban production and its perspectives in the current context.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ARCHIPI\u00c9LAGO F\u00cdLMICO<\/h4>

Parole (2024) by L\u00e1zaro J. Gonz\u00e1lez, and dialogue \u201cAlternatives for the dissemination of Cuban culture\u201d with Celia Gonz\u00e1lez (visual artist and anthropologist), Mijail Rodr\u00edguez (screenwriter and cultural manager), Carlos An\u00edbal Alonso (writer and editorial director of Rialta). Moderation: Omar Lara (Disruptiva Films).<\/p>

September 19th, 2024, 5pm
op.cit. dialogues: colonia del Valle, Mexico City
for more information: info@fundacionopcit.org<\/p>

As part of the work of the Assembly of Cuban Filmmakers, the initiative Archipi\u00e9lago F\u00edlmico: Nuevas Coordenadas del Cine Cubano (Film Archipelago: New Coordinates of Cuban Cinema), an audiovisual exhibition of young independent Cuban cinema, will take place in September in Mexico City.\u00a0<\/p>

\u00a0<\/p>

Archipi\u00e9lago F\u00eclmico was born from the collaborative and independent effort of the Assembly of Cuban Filmmakers, the Il\u00e9 mi-canoa platform, the Cineclub Micelio and the Cineclub Revoluci\u00f3n Congelada of the ENAC, with the support of the National School of Cinematographic Arts of the UNAM.<\/p>

\u00a0<\/p>

\u00a0<\/p>

https:\/\/www.archipielagofilmico.com<\/a><\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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SPREAD \/ una pel\u00edcula en proceso de Alison Nguyen\u00a0<\/h4>

Evento realizado en colaboraci\u00f3n con Cosmofagia, una curadur\u00eda de David Ayala-Alfonso y el programa p\u00fablico di\u00e1logos de fundaci\u00f3n op.cit.<\/p>

12 de Febrero 2024, 6pm\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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HISTORY AS HYPNOSIS<\/h4>

Screening of History as Hypnosis (2023) and conversation with the artist Alison Nguyen.<\/p>

February 11th, 2024, 5pm and 8pm
Cineteca Rosalio Solano
Queretaro City, MX<\/p>

Director & Writer: Alison Nguyen
Executive Producers: Mustafa Rony Zeno & D.S. Chun
Production Company: Rug and Vase
Director of Photography: Sebastian Mylnarski
Additional Photography: Mustafa Rony Zeno
Editor: Alison Nguyen
Production Designer: Heather Yancey
Sound Designer: Jon Flores
Score: Scott Kiernan
Hair and Makeup: Caroline
Mills and Jeong-Hwa Fonkalsrud
Wardrobe Designer: Alison Nguyen<\/p>

history as hypnosis is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature through the Media Arts Assistance Fund a regrant partnership of NYSCA and Wave Farm.<\/p>

\u00a0<\/p>

New York Foundation for the Arts 2021 Artist Fellowship in Film\/Video<\/p>

\u00a0<\/p>

MIT List Visual Arts Center<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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HISTORY AS HYPNOSIS<\/h4>

sesi\u00f3n de escucha de History as Hypnosis (2023) de Alison Nguyen con Scott Kiernan, Jon Flores, A.M. DeVito e Ivan Berko


February 4th, 2024, 5-7pm
Radio Nopal<\/a>
C. Jose Rosas Moreno 123,
San Rafael, CDMX


<\/p>

A speculative road movie that unfolds through cultural memory of the US war in Vietnam, it follows three women, recently reprogrammed by an artificial intelligence that has wiped all traces of their previous lives, as they journey through an uncanny desert landscape to a nearby metropolis. In Nguyen\u2019s hands, these figures without memory or history become a cinematic use case for themes of alienation, assimilation, and refusal. Freely combining genre, fact, and fiction, the film draws on its Southern California locations\u2019 postmodern glass facades, mimetic architecture, and roadside infrastructure\u2014markers of car culture\u2019s entanglement with American expansionism and cinema history alike\u2014to uncover the more ineffable links between collective consciousness and the Cold War military-industrial complex.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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AN INCOMPLETE RECIPE<\/h4>

A dialogue<\/i> from the kitchen, where migrant ingredients are the center of the conversation. An Incomplete Recipe is a documentary essay project of Laura Batista Aranda that takes its own film structure and self-referential elements to cook together.\u00a0<\/span><\/p>

October 7th, 2023, 10:30hrs
op.cit. dialogues: colonia del Valle, Mexico City<\/p>


for more information: info@fundacionopcit.org<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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TERCERO OCULTO \/ HIDDEN THIRD<\/h4>

guided tour of Kelly Kleinschrodt's Hidden Third exhibition with Natilee Harren, art historian, critic, and associate professor of art history at the University of Houston School of Art.<\/p>

September 22nd, 2023, 18:30hrs
op.cit. dialogues: colonia del Valle, Mexico City
for more information: info@fundacionopcit.org<\/p>

\u00a0<\/p>

https:\/\/press.uchicago.edu\/ucp\/books\/author\/H\/N\/au46107018.html<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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CAMILLE & ULYSSE<\/h4>\nscreening of the film Camille & Ulysse (2021) by Diana Toucedo, and dialogue with Diana Toucedo and M\u00f3nica Nepote.\n

\nAugust 12th, 2023, 7pm
\nop.cit. dialogues: colonia del Valle, Mexico City
\nfor more information: info@fundacionopcit.org\n

\nLas fil\u00f3sofas Vinciane Despret y Donna Haraway entretejen sus voces en esta pieza audiovisual de la cineasta Diana Toucedo, basada en las f\u00e1bulas: Las historias de Camille de Haraway y la Autobiograf\u00eda de un pulpo, de Despret.\n\nEn un futuro indefinido, Camille y Ulysse cuentan las historias entrelazadas de la primera generaci\u00f3n de sus comunidades de humanos y no humanos: las comunidades de compostaje. Camille se asocia simb\u00f3licamente con las mariposas monarca, cuyas rutas migratorias y h\u00e1bitats en Estados Unidos, M\u00e9xico y Canad\u00e1 est\u00e1n amenazados. Ulises, como todos los Ulises de la comunidad, experimenta la posibilidad de vivir en presencia de los extintos pulpos aprendiendo los gestos, el lenguaje y las formas de sensibilidad\u00a0 singulares de estos animales marinos.\n

\nFilmed with the structure of an oral history and as a correspondence between the two authors and their stories, the film follows the ways of living and dying of the communities of a damaged planet and their growing mastery of a new field of scientific knowledge: therolinguistics, or the study of animal languages. The narrators, in harmony with their fellow symbiotes, become increasingly aware of the possibilities for growth of tentacular and metamorphic beings.\n

\nThis encounter provoked by Spanish filmmaker Diana Toucedo contains a perspective attuned to the mysteries of the natural world, the blurred boundaries between what we know and what we sense, Toucedo joins Haraway and Despret in the construction of this narrative journey made of multiple intersecting lines, a game of strings where speculative fiction and experimental essay merge as symbionts.\n

\nhttp:\/\/dianatoucedo.com\/projects\/camilleulysse\/<\/a>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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EL L\u00cdMITE DE LO PROPIO<\/h4>\nIt is a project created by the artist Ulises Matamoros Ascenci\u00f3n and curated by Michel Blancsub\u00e9, where 4 artists and a collective were invited to carry out 5 projects in the community of Santa In\u00e9s Ahuatempan, thus creating a dialogue between Ngiba knowledge and contemporary thoughts.\n

\n\nJune 14th, 2023, 7pm
op.cit. dialogues: colonia del Valle, Mexico City
for more information: info@fundacionopcit.org

\n\n\ndialogue with:
\nUlises Matamoros Ascenci\u00f3n (artist and coordinator)
\nMichel Blancsub\u00e9 (curator)
\nLenka Holikov\u00e1 (artist)
\nVano Sonoro (artists Emilio Hinojosa Carri\u00f3n andJorge Sol\u00eds Arenazas)

\n\n\nhttps:\/\/www.chasenthajni.org\/\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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BROKEN EARTHS<\/h4>

Composed of 3 solo exhibitions, Tierras Rotas addresses the idea of faults, breaks and ruptures through affective, cartographic and socio-political explorations.


February 5th, 2023, 12hrs
op.cit. dialogues: colonia del Valle, Mexico City
for more information: info@fundacionopcit.org

<\/p>

dialogue with the artists and the curator
Hanae Utamura (JP)
Renata del Riego (MX)
Bel Falleiros (BR)
Elisa Guti\u00e9rrez Eriksen (MX)

<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tCollective research of the project<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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di\u00e1logos PIE DE IMPRENTA Feria de libros de arte Pie de imprenta es un encuentro de libros de…<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":32,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-29654","page","type-page","status-publish","hentry"],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/fundacionopcit.org\/en\/wp-json\/wp\/v2\/pages\/29654","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fundacionopcit.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fundacionopcit.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fundacionopcit.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fundacionopcit.org\/en\/wp-json\/wp\/v2\/comments?post=29654"}],"version-history":[{"count":311,"href":"https:\/\/fundacionopcit.org\/en\/wp-json\/wp\/v2\/pages\/29654\/revisions"}],"predecessor-version":[{"id":34960,"href":"https:\/\/fundacionopcit.org\/en\/wp-json\/wp\/v2\/pages\/29654\/revisions\/34960"}],"wp:attachment":[{"href":"https:\/\/fundacionopcit.org\/en\/wp-json\/wp\/v2\/media?parent=29654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}